Sunday, September 19, 2004

Candorville now running in Dallas and Santa Rosa

Candorville starts running today in the Dallas Morning News. Candorville has appeared Monday through Friday in Quick, a tabloid edition of the Dallas Morning News aimed at twenty-somethings, and in Al Dia, Texas' preeminent Spanish language paper (owned by the DMN), since 2003. Starting today, it'll also appear in full color, in the Sunday pages of the DMN!

Candorville also began running last week in the Santa Rosa Press Democrat, the great paper covering the San Francisco Bay Area for Sonoma, Santa Rosa and other Napa County cities.

We're honored to be appearing in those fine papers, especially since we have family in the Dallas-Fort Worth area and friends who read the Santa Rosa P-D.

The first person in each city to mail us a copy of the comics page will receive a free signed sketch of the Candorville cast, or a free signed print of the weekday strip of your choice. E-mail us for details.

If you live in Dallas or Santa Rosa and you like what you see, it would be a good idea to write to the paper and tell them so. If you live in Santa Rosa, click here to contact them. Papers need to hear from their readers to determine what you like to see. If you don't like what you see... um... disregard this last paragraph. I was only kidding.

Thursday, September 09, 2004

Second Rudy Park book is on the way

Andrews McMeel - our publisher - just sent us the advance copies of the second Rudy Park book, and they look better than I'd imagined!

For those who don't know, aside from Candorville, I also collaborate on a comic strip called Rudy Park with writer Theron Heir. Rudy Park appears in nearly 100 papers and websites, and the first book - The People Must Be Wired - which came out last Fall, sold through its first printing in just a couple months. The second book, Peace, Love & Lattes picks up where the first one left off: Rudy's pining away for Darlene (who barely knows he's alive and resents knowing even that much about him). Mrs. Cohen, the cafe's resident cantankerous octogenarian, is at Rudy's throat. Armstrong, the cheap and greedy cafe owner is busy watering down the coffee and scamming his patrons. Uncle Mort is desperately trying to scream some sense into the cafe's apathetic, easily manipulated clientele. Randy is picking up chicks while trying to live down a reputation as a dumb jock, and Monkey is still hoping against hope for a bite of a Taco Bell taco. And an unexpected romance between two of the regulars causes both happiness and revulsion.

All this is set against our nation's year-long buildup to the war in Iraq, and there are guest appearances by Donald Rumsfeld (who tries to kick Rudy's @$$), Dick Cheney, John Ashcroft (still hiding in the pastry container, watching Rudy's every move) and Michael Jackson, among other celebs. The Rudy Park story really kicks into high gear in this book.

Rudy Park: Peace, Love & Lattes is available for preorder through Amazon.com, and will be in book stores throughout the country in just a couple weeks.

The first Candorville book will be released by Andrews McMeel in Fall 2005, followed by a second one in Fall 2006. Don't forget, anyone who writes a letter to your local paper asking them to give you Candorville will receive a free copy of the first Candorville book, and other assorted goodies - provided you send us a copy of the note, and the paper adds Candorville to their lineup within 1 year.

Wednesday, August 04, 2004

From an upcoming Sunday strip

A preliminary sketch from an upcoming Sunday strip (assuming it gets approved). This is Susan Garcia, one of the main characters. Rumor has it her looks and some of her personality traits are inspired by my wife (man, I have to get used to saying that - I've been calling her my "girlfriend" for 6 years!), Laura Bustamante. I have no idea how I got this lucky.

I'll post sketches here from time to time, just for those of you who take the time to check out the Candorville site.

•••

The wedding

I've been wanting to comment on the wedding, but I haven't had time. Still don't, as I'm trying to get a little bit ahead on the strips before we have to leave for Mexico on Friday. But I don't want to go that long without posting something, so I'll paste an e-mail I sent to a couple folks who asked me how the wedding went. Like the wedding, it's short and to the point:

Laura was stunning. I first saw her in her dress as she walked down the aisle with her mother. I'd never seen her that happy before. She was glowing.

About 300 people showed up.

It was an unconventional wedding. The ceremony was very short and to the point. My brother and her sister placed a ceremonial lasso around us (a Roman Catholic tradition). The minister spoke a bit about marriage, and about the history of wedding rings while we put ours on each other. We said our vows, including some funny "P.S" ones, and we signed the decorative marriage certificate I designed. Then, at the end, we jumped over a ceremonial broom. That's a custom which originated in Western Africa and was brought here by slaves.

Laura's folklorico group performed for us. I'll never forget that. I love those guys. Then a small stage was set up, and Laura performed the cajon, which had been her father's favorite dance. When she finished, I stood up and helped her off the stage, then we began our first dance. The first dance was a danzón. I'd been nervous about that part since dancing isn't my thing. We only rehearsed 5 times (with Norberto Martinez, a superb dancer/choreographer friend of ours), but on the day of the wedding, somehow it all went perfectly. Everyone was right - when the lights dimmed and we started to dance, everyone else disappeared and all I saw was Laura. People were impressed - a lot of them have been asking for videos of the dance. Some assumed I was a professional dancer, so I guess I didn't do too badly.

It was the best night of our lives.

My grandmother was going to sing the song "Always" to us at our wedding, but she passed away in February. So my Mom sang it to us for her. There wasn't a dry eye in the place. Matt also gave a toast, which was more of a roast.

For a brief honeymoon, we spent a few days at Disney's Grand Californian hotel. Then we spent a couple days with people in Laura's family who had contributed to the wedding. I didn't know most of them, but it's customary to do that.

At the guest sign-in table, there was a huge mounted photo of her father, Laura, her mom and me, taken at Laura's graduation back in 2000. It felt like he was there the whole night, and that he made sure it all went perfectly. He was even there on the honeymoon, we thought, because at Disneyland, we kept getting the shortest lines and the best seats on the rides. Everything was going our way, as if someone was looking out for us.

•••

Saturday, July 10, 2004

Locked out

Laura and I spent the afternoon in the city looking for shoes that would go with her wedding dress. I don't know if it's the influence of Sex and the City, but women's shoes sure are going through a tacky phase. Everything is so pointy, it's like women are forced to walk around wearing weapons on their feet. Worse still, pointy shoes make a woman's feet look nearly twice as big as they really are. Pointy. Big. Watching a group of them walk by is like watching a herd of ninja ducks.

After weeks of looking, we found the perfect pair at Nordstrom's. After celebrating over Fluorescent Orange Chicken at Panda Express, it was time to get on with the day. I had work to do, and Laura was headed down to San Mateo to visit some friends of ours (happy birthday, Grant!).

So I'm on BART, about to get off at my station after a 30 minute ride back from San Francisco. As I reach for my BART ticket, I notice my pocket is awfully light. ...I don't have my keys. I left them in Laura's car. Being a typical city-boy, I only know my neighbors by their distinctive nods. The woman upstairs nods hello only when she's sure I've seen her see me. Otherwise she scurries past like the wind. The guy across the hall from me, when I run into him, gives me a stoned nod - it takes just a few seconds too long to go up and down again, and sometimes he does it cross-eyed. The thug at the other end of the hall usually gives me the thug nod - his chin goes up, but it doesn't come down until I back away. Slowly.

Since I only know them by their nods, I can't very well hang out with them until Laura gets back with my keys. So I walked 3 miles to the nearest Apple Store, where I can check my e-mail as a line of people breathe down my neck, waiting their turn to use the beautiful 17 inch Powerbook I've bogarted. I haven't made any real friends in my apartment, but I just finished responding to an e-friend from Stuttgart, Germany, and another from Georgia. I don't know if that's Georgia, US or the ex-Soviet one -- I don't know him well enough to ask. If only I could see how he nods...

Saturday, July 03, 2004

Lazy reporters

A reader e-mailed me the URL to an article that appeared on the Chicago Tribune's website, where a reporter named Eric Zorn accuses Candorville of ripping off an old Peanuts cartoon.

Here's the original article:

CLOUDY

I recently took note here of this "Candorville" comic strip in the Tribune showing two of the characters lying on their backs on the top of a building:
Lemont: Susan, see that cloud? What's it look like to you?

Susan: Sort of like President Polk in 1848. And there's his mighty army coming down from the north to steal half of Mexico. Over there's the INS loading a group of migrant famr workers onto a bus for deportation.

Lemont: I see a bunny.
I said I was pretty sure I'd seen "Peanuts" use almost the identical joke. Several readers sent me the following dialogue from a 1960 "Peanuts" strip that creator Charles Schulz once reportedly named as one of his most popular ever:
Lucy: If you use your imagination, you can see lots of things in the cloud formations...what do you think you see, Linus?

Linus: Well, those clouds up there look to me like the map of the British Honduras on the Caribbean...that cloud up there looks a little like the profile of Thomas Eakins, the famous painter and sculptor...and that group of clouds over there gives me the impression of the stoning of Stephen...I can see the Apostle Paul standing there to one side....

Lucy: Uh huh....that's very good....what do you see in the clouds, Charlie Brown?

Charlie Brown: Well, I was going to say I saw a ducky and a horsie, but I changed my mind!
Coincidence? Homage? Rip-off?

I e-mailed "Candorville" creator Darrin Bell a week ago to ask for his explanation.

No answer yet.


The strip he mentioned was similar in structure to a recent Candorville strip, but c'mon. When you've got four panels to tell a story, there are only so many ways to do it. There are only so many ways to set up a gag and only so many punchlines that would be appropriate. I've seen Boondocks and Opus strips that are nearly identical to strips I drew years ago, but knowing the industry like I do, I realize this kind of thing is almost never a case of plagiarism. It's coincidence. Pick any cartoon in your local paper, and someone somewhere will have seen something very similar in one of the several million cartoons drawn in the past. In this case, they had to go back to 1960.

Still, I can accept skepticism. It's only natural. What I can't accept is lazy reporting.

My first journalism instructor, way back in high school, told us the definition of a lazy journalist is one who writes an accusatory article, and says the object of his attack "could not be reached for comment." Sometimes this is done by a procrastinating reporter who's working too close to deadline, and doesn't have time to properly track down the source. Other times, "couldn't be reached for comment" actually means "I didn't want to get a comment that would refute my assertions."

It's a rare thing indeed when you can't even contact the person's spokesman - which in this case would be my syndicate, the Washington Post Writers Group. The Tribune has the Writers Group telephone number, I'm sure, and logically, they would have been able to put Zorn in contact with the subject of his piece. A reporter working at one of the world's finest newspapers, you would think, would exhaust every weapon in his investigatory arsenal - even including the drastic measure of picking up a telephone - to get a quote from the subject of their article.

Zorn, however, ends his supposition by saying "I e-mailed 'Candorville' creator Darrin Bell a week ago to ask for his explanation.

No answer yet."

I never received any such e-mail from Mr. Zorn. Zorn could have called the Post Writers Group if he had really wanted to contact me. But that would mean he'd have to think of a different snarky ending for his article.

My high school journalism teacher would not be amused.

••••••••

A Zorn reader responded (see below) that I was inflating the issue by implying it appeared in the print edition instead of where it did appear - in Zorn's Tribune-hosted blog. I was incorrect in saying it ran in the paper. I assumed that, since Zorn is a Tribune reporter, it ran in the paper. But I don't see the significance of that observation. Was it meant to imply that something appearing on a newspaper's website doesn't need to be accurate or fair?

The kind of laziness evident in the Zorn article doesn't quite fall to the same level of a Jayson Blair, but it's somewhere in the same neighborhood.

••••••••

Wednesday, June 23, 2004

Candorville added to Ucomics!

Candorville, which already appears on Comics.com (which carries mainly United Media strips), has just been added to ucomics.com (which carries mainly Universal Press Syndicate strips). In related news, the Whopper has just been added to the menu at McDonald's, and Burger King will begin selling the Big Mac.

According to Ucomics:

"Candorville centers around the interactions between Lemont Brown, an intelligent young writer, Susan Garcia, a business woman, and Clyde, an angry young man with a dysfunctional past. This is a strip that is unafraid to take on controversial issues, and has touched on everything from gay marriage to racial profiling. Creator Darrin Bell has a lot to say, and he does it through the inventive use of thought bubbles, his crisp drawings and his deep understanding about the interactions that make us human. As the series progresses, the bonds between the characters become more apparent. Readers are sure to embrace Lemont, Susan and Clyde as they begin their journey into Candorville, available on My Comics Page."

and...

"Darrin Bell's Candorville is an insightful look at family, community and race through the eyes of Lemont Brown, a young black writer. Bell pulls no punches and delves into even the most controversial of issues. The wit and humor of the strip will draw you in."
•••