New York Post story nominated for "most ignored of 2008 award."

New York Post reporter Ginger Otis has been nominated for the prestigious Most Ignored Story of 2008 award, for her recent story, "Obama Robbed in New York." The story details how, in NYC, which happens to be Hillary Clinton's "home town," whoever counted the votes seemed not to notice that Mr. Obama had any.

From the article:

February 16, 2008 -- Barack Obama's primary-night results were strikingly under recorded in several congressional districts around the city - in some cases leaving him with zero votes when, in fact, he had pulled in hundreds, the Board of Elections said today
Unofficial primary results gave Obama no votes in nearly 80 districts, including Harlem's 94th and other historically black areas - but many of those initial tallies proved to be wildly off the mark, the Board of Elections confirmed.
Truth is, in some districts getting a recount, the senator from Illinois is even close to defeating Hillary Clinton...

In a predominantly black Brooklyn district for which Clinton was given credit for a 118-0 victory on Primary Night, the Board of Elections' latest figures indicate that she may not even come out the winner - Obama currently has 116 votes to her 118.

Since stories about possible electoral fraud are routinely ignored by the rest of the Media -- forgotten as if they'd never existed in the first place -- observers believe Ms. Otis's story has a fair shot at winning the award. "However," noted Brad Friedman, four-time past winner of the award, "it's early yet. We haven't even gotten to the general election, anything can happen." Indeed, Ms. Otis looks to be facing several other strong contenders. The story of 50,000 Los Angeles votes not counting has already been largely forgotten, and given the historic Democratic primaries and the omnipresence of school shootings, Britney Spears, and cleaver-murders, nobody seems to be paying much attention to stories about anything the current Administration or Congress are doing. But for now, Ms. Otis's story is an early favorite.

When asked for comment, Ms. Otis added: "What story?"

Today's the day

Read more at the Cartoonists of Color Draw-In web page. I've posted several links to articles, and a couple mp3's of interviews I and the other guys have done regarding the action.

"Yes We Can" vs. "Me Me Me"

Obama may be more proficient in the vocabulary of leadership, but Clinton's speech proved her campaign right when they said she represents a real change. Most leaders use the words "we," "us" and "our" to draw in their listeners, to make them feel as if they're part of the team -- to make them feel invested in the leader's success. Not Clinton. Compare Obama's old school approach vs. Clinton's radically different one. She doesn't pander to the togetherist lobby. She turns conventional wisdom on its head by choosing language that gives the impression it's all about her. "I listened to you... I found my voice." That line in particular was brilliant. We know it was brilliant. If it had been a pathetic admission that she's given to falling out of touch with the American people, the Media would've told us so. But they told us it was brilliant, which, to me, was a big relief.

Let's compare Old School Obama to New Jack Clinton. Here's Obama's South Carolina victory speech...



...vs. Clinton's New Hampshire victory speech.



I have to admit, she lapsed a bit toward the end. A few "we" and "us" buzzwords crept in. But what a rousing start.

Rambo, McCain: It's only a coincidence

Sylvester Stallone today endorsed John McCain, Vietnam POW, for President. I'm sure it absolutely, positively has nothing to do with a certain film that's opening tomorrow. I'm sure it's just a coincidence.

Stallone said of McCain, a Vietnam war veteran who spent more than five years as a prisoner of war, that "there's something about matching the character with the script."

"And right now, the script that's being written and reality is pretty brutal and pretty hard-edged like a rough action film, and you need somebody who's been in that to deal with" it.

...I think.

Raleigh News & Observer adds Candorville

Sometimes introducing a comic strip to largely conservative readers by joking about hypocritical closeted Senators trolling for gay bathroom sex, is actually a good idea. If you read the previous post about the trial in Raleigh, N.C., you might be surprised to learn they're adding Candorville to their roster, come January 14.

Minority cartoonists plan February 10 comics page "crossover"

It's not a crossover in the traditional sense, it's something that's never been done before. If you're a cartoonist of any ethnicity and you want to participate, and you still have time to turn in a new strip for February 10, contact me at "candorville at gmail dot com" and I'll fill you in on the details.

From Editor & Publisher:

NEW YORK At least eight African-American cartoonists plan to take part in a Feb. 10 comics-page action to draw attention to the way their strips are perceived and purchased.

"Many editors and readers consider different 'black comics' to be interchangeable," said "Candorville" cartoonist Darrin Bell. This, he told E&P today in a phone interview, is among the reasons why many papers run only one or two comics by African-Americans and other creators of color -- no matter how many strips and panels are in their comics sections.

But, Bell said, comics by black cartoonists are obviously as different from each other as comics by white cartoonists are different from each other.

"Some are political, some are about friends, and some are about family," noted Bell, who organized the Feb. 10 action along with "Watch Your Head" cartoonist Cory Thomas. (Both are syndicated by the Washington Post Writers Group.)

For the action, the cartoonists will all do a version of one of Thomas' comics. The theme and writing in each strip will be similar, though "we're all plugging in our own characters," said Bell. The idea is to satirically protest the erroneous notion of many editors and readers that comics by African-American creators are interchangeable.

What might the action accomplish? "I hope editors will start allowing minority cartoonists to compete for all their comics slots, not just one or two slots," replied Bell, whose 2003-launched "Candorville" strip runs in 60 to 65 papers.

The cartoonist -- who also does the "Rudy Park" comic with Theron Heir for United Media -- further noted that strips by African-American cartoonists are enjoyed by many white readers as well as black readers.

Bell said he's not sure the Feb. 10 action should be called a protest, noting that black cartoonists face a problem nowhere near as serious as, say, New Orleans residents still without housing after Hurricane Katrina. But it's still a problem.

"It's like a weather forecast of mostly sunny with patches of racism," Bell said wryly.

"Wryly." I like that. Read more...

I Killed Journeyman

If Lemont knew the whole story, he'd probably quit the strip. I know he wouldn't want to work with me ever again.

The truth is: I killed Journeyman. I've concluded that's the only logical explanation. Nearly every show I love ends up canceled by the end of its first season. "Space, Above and Beyond," "Firefly," "Odyssey 5," etc. The television landscape is littered with the corpses of Shows Darrin Loved.

According to someone close to production who e-mailed me today, "Journeyman" isn't dead yet. It's sitting frozen in the driver's seat of an RV that's dangling over a cliff, and NBC hasn't decided whether to save it or let it plunge to an early death. Maybe if I apologize for admiring the show's sophisticated writing, its surprisingly (for network TV) moving acting, and the sense that it's all leading to something big -- maybe if I promise not to watch it anymore -- NBC will save Journeyman. After all, broadcast TV is filled with shows I would never watch, and I'm sure you'd agree that it's no coincidence those shows are successful.

Maybe you never tried Journeyman, or maybe you gave the first couple episodes a try and thought it wasn't going anywhere. If you thought Journeyman started slowly, or you missed the last couple episodes, watch them right here, right now. And then tell me you wouldn't like to see where the next few seasons might have taken us.

Or better yet, tell NBC.

Town Hall Defends Foxxx News from Candorville

An amused reader sent me an e-mail about a conservative blogger who took issue with a recent Candorville strip (and, though he didn't mention it, he probably wasn't too happy with the previous day either). From Town Hall:

The liberals hate Fox News with a passion because it is fast proving that Americans prefer not to be lied to [*ironic-licious link added -D. Bell*]. Fox brings both sides of political issues and probably have more liberal commentators on staff than do most other news services. Thus, they do not bring us only the liberal side. The liberals just can't stand that and try to trivialize them as often as they can. More evidence that politics should be kept out of comics is "Candorville's" Dec. 7 comic strip, which attempts to trivialize Fox News because it has many "foxes" on its staff who wear short skirts and show much cleavage, and they think that's the reason why Fox is "whipping up on" all the other Cable stations and networks. As if all of them don't have many foxes with short skirts and cleavage. Does this artist (and other liberals) really think we are so ignorant as to not be aware of this? Notice they also refer to it with three xes, as if the whole network is "triple-x." Subtle. Too bad. When he stays away from politics, I actually enjoy this strip. (Candorville, 12/7/07)

All I have to say to that is...



Oh, and this...



Oh yeah, there's also this...



(I probably should've warned you I was posting clips from Foxxx, they could probably get you fired if you watched them at work. Seriously.)

Yes, I'm sure just like Lemont, all those people who somehow think we found WMD in Iraq watch Fox News for the accuracy of their reporting. I don't know how I and "the liberals" could have been so wrong.

In fact, that's enough blogging, I have some accuracy to go watch...

Friday Movie: The Jerk

Sometimes revelations that the President's been lying about WMD again and "can't recall" hearing about the CIA's torture-tape coverup make you want to write out a long, detailed, link-filled post. Other times, it can make you want to tune out and watch Steve Martin:

Clinton follows Bush's lead on the Media

This is exactly what we need -- four more years of this crap:

Reporters who have covered the hyper-vigilant campaign say that no detail or editorial spin is too minor to draw a rebuke. Even seasoned political journalists describe reporting on Hillary as a torturous experience. Though few dare offer specifics for the record--"They're too smart," one furtively confides. "They'll figure out who I am"--privately, they recount excruciating battles to secure basic facts. Innocent queries are met with deep suspicion. Only surgically precise questioning yields relevant answers. Hillary's aides don't hesitate to use access as a blunt instrument, as when they killed off a negative GQ story on the campaign by threatening to stop cooperating with a separate Bill Clinton story the magazine had in the works. Reporters' jabs and errors are long remembered, and no hour is too odd for an angry phone call. Clinton aides are especially swift to bypass reporters and complain to top editors. "They're frightening!" says one reporter who has covered Clinton. "They don't see [reporting] as a healthy part of the process. They view this as a ruthless kill-or-be-killed game."

Despite all the grumbling, however, the press has showered Hillary with strikingly positive coverage. "It's one of the few times I've seen journalists respect someone for beating the hell out of them," says a veteran Democratic media operative. The media has paved a smooth road for signature campaign moments like Hillary's campaign launch and her health care plan rollout and has dutifully advanced campaign-promoted themes like Hillary's "experience" and expertise in military affairs. This is all the more striking in light of the press's past treatment of Clinton--particularly during her husband's White House years--including endless stories about her personal ethics, frostiness, and alleged Lady Macbeth persona.

It's enough to make you suspect that breeding fear and paranoia within the press corps is itself part of the Clinton campaign's strategy. And, if that sounds familiar, it may be because the Clinton machine, say reporters and pro-Hillary Democrats, is emulating nothing less than the model of the Bush White House, which has treated the press with thinly veiled contempt and minimal cooperation. "The Bush administration changed the rules," as one scribe puts it--and the Clintonites like the way they look. (To be sure, no one accuses the Clinton team of outright lying to the press, as the Bushies have done, or of crossing other ethical lines. And reporters say other press shops--notably those of Rudy Giuliani and John Edwards--are also highly combative.)

So far, the strategy has worked brilliantly. In the current climate, where the mainstream media is under attack from both conservatives and liberals, Clinton may have picked the right moment to get tough with the press. But, as the murmur of discontent among the fourth estate grows--and Hillary's coverage has taken a sharper tone since a widely panned debate performance late last month--even some Hillary supporters fear that the strategy may produce a dangerous backlash.

Assuming Clinton wins the presidency, I'd just like to thank the Clinton team in advance for providing "Candorville" with at least four years of material.

Penguins are always stealing jobs from Latinos

If you live in Houston, you may have noticed that the Chronicle, in an effort to provide entertainment geared toward Houston's large penguin population, has replaced the comic strip La Cucaracha with a strip about a group of penguins living in the Arctic Circle -- a subject that's obviously far more relevant to Houston readers than a strip about Latinos and immigration. The Chronicle has one of the largest comics sections in the nation. Surely they could've found something else to cut (maybe something whose creator died during the Black Plague).

If you're a Houstonite (or if you're not but you still read the paper) and a La Cucaracha fan, let the Chronicle know what you think about that by emailing comics@chron.com or calling 713-362-3222.
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The South's Gayest Comic Strip

Bad timing can be a very funny thing.

This week, Candorville debuted in the Raleigh News & Observer on a trial basis. They'll be testing it out for four weeks. The Raleigh News & Observer is one of the largest papers in the South (Mason-Dixon line and geography notwithstanding, it is the South - you're not fooling anyone, "North" Carolina).

Naturally, the week with which we introduce their solidly-conservative readers to Candorville happens to be a week that discusses civil rights by lampooning a closeted Republican Senator who trolls for gay sex in public restrooms. The readership is predictably amused.

Apparently "Candorville is a hog farm lagoon" is some sort of affectionate Southern colloquialism.

Check out all the other praise, and add your own (ONLY if you live in North Carolina and read the News & Observer) in their online forum. And again ONLY if you're a local News & Observer reader (no cheating, please), the News & Observer wants to hear from you. Write to them and tell them whether you want Candorville at comics@newsobserver.com.

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Same movie, different actors

I don't know about you, but I'm sick of remakes. I don't quite get the purpose of remaking old films with different actors. They remade "Invasion of the Body Snatchers" for no damn reason, Keanu Reeves is remaking the classic "The Day The Earth Stood Still," again for no damn reason. They're remaking "The Hulk" just three years after the last time they released it. And is it just me, or have we already seen this movie:

Israel believes that North Korea has been supplying Syria and Iran with nuclear materials, a Washington defense official told the New York Times. “The Israelis think North Korea is selling to Iran and Syria what little they have left,” he said.

The official added that recent Israeli reconnaissance flights over Syria revealed possible nuclear installations that Israeli officials estimate might have been supplied with material from North Korea.
More...

If only there were some way to know when it's real and when it's fiction. If only we had some sort of, oh, I don't know, let's call it "News Media" for lack of a better term, that would reliably and doggedly seek out the truth and tell us what they've found. Somebody should invent something like that.

Senseless and Stupid

It didn't take the Oakland PD long to find Chauncey Bailey's assassin. If only Kennedy's real killer had been this stupid.

A suspect in the daylight ambush shooting death of Oakland Post editor Chauncey Bailey was being formally booked today on suspicion of murder, authorities said.

Devaughndre Broussard, 19, was in the process of being booked at the Alameda County jail in downtown Oakland in connection with Thursday's slaying of Chauncey Bailey, 57, at 14th and Alice streets.

Broussard was a handyman at Your Black Muslim Bakery who confessed to police Friday night that he ambushed and killed Bailey with a shotgun because he was upset with the journalist's coverage of the group...
More...

Did Broussard think murdering the reporter was going to lead to better coverage of the group?

He couldn't have been more wrong.

Chauncey Bailey Assassinated in Oakland

When Al Gore ran for the presidency, his opponents mocked his military service, because he had carried a journalist's pen, not an AK-47, through the jungles of Vietnam. But the mounting death toll of journalists serving in Iraq should serve as a reminder that being a journalist in a war zone is a service every bit as dangerous. Some war zones are closer to home.

Oakland Post reporter Chauncey Bailey was struck down by a masked assassin on a busy intersection in broad daylight this morning. I lived in Oakland for 7 years and I only met Chauncey once, in 2004 at the New California Media convention. He was an Oakland Tribune reporter at the time. What a character. A no-nonsense "just the facts" kind of questioner, but at the same time, his writing showed a person eager to point out the larger picture facts sometimes obscure. That probably describes most journalists, but with most journalists I know, that's the hat they put on when they go to work, or else it's just one tool in their trade. With Chauncey, it seemed from our brief meeting and the e-mails that followed, that that was who he was. A reliably double sided coin: all business, but on the flip side, all compassion.

Chauncey was a race-conscious writer - a man who obviously wanted to use his talents to encourage the black community in Oakland and California to confront uncomfortable truths and to participate fully in society rather than remain balkanized and demoralized. Sometimes I disagreed with the conclusions he drew in his writing, but I never disagreed with his motivation or his idealism.

Chauncey became interested in helping Candorville gain the attention of the Oakland Tribune. It isn't easy for a new strip to break into new markets, even when it's your hometown paper. Oftentimes, editors won't look past the cover of the sales brochure, let alone read far enough to realize the cartoonist lives just 28 blocks from them. Chauncey gave my wife the publisher's phone number, and we called and introduced ourselves. About a year later, the ANG, which owns the Tribune, added Candorville. This was after my syndicate's editor flew out to encourage ANG to take a good look at the strip, but I don't doubt that Chauncey's help played a role.

He profiled me in 2004 and wrote an article about my work for the regional black press. Actually, he sent my wife Laura a list of questions (I guess he knew who the efficient one was), I gave her my answers and she e-mailed them back to him. I never did see the article, because we were out of town when it ran and I didn't want to bug him for a copy. But Laura and I looked through her old e-mail file and we still have the questions, and my answers. These pretty much sum up my impression of the man. Each question is concise, no-nonsense. All business. In that, you see Chauncey's mind. But if you look at the subtext, you see the man's heart.

===== Comments by cbailey@angnewspapers.com (Chauncey Bailey) at 6/09/04 3:08 pm
I can do a feature on (Darrin) for the regional black press. tell me (50 words or less per question)


1. His background.

Darrin: My father's black, and my mother is Jewish (white). I was born in South Central L.A. and raised in East L.A. and the San Fernando Valley. I was bused 40 miles per day to magnet schools. I graduated from U.C. Berkeley with a BA in Political Science in 1999, and chose to stay in Oakland.

2. How he got started?

Darrin:I edited my high school paper and continued pursuing journalism in college. I drew editorial cartoons and comic strips for the Daily Cal, and when I felt I was good enough I started faxing them every day to the LA Times, Oakland Trib and SF Chronicle. They all eventually started running them.

3. Why?

Darrin:I want to show a more developed view of Blacks and Latinos than I've seen in the comics pages. They're either angry about injustice 24-7 or they're the Cosby's. Reality is a mix of all that. I want to show minorities with a wide range of thoughts and goals.

4. Successes?

Darrin:To my knowledge I'm the first and only Black cartoonist to have two comic strips in syndication, and the youngest (of any race) to do so. At 20 (in 1995), I was the youngest editorial cartoonist to be published regularly in
the LA times. My work's been on CNN, and other television news broadcasts. I won several awards in college.

5. Setbacks?

Darrin:My first comic strip, "Rudy Park," focused on the dotcom revolution until that revolution crashed in 2000. Most of the magazines that ran the strip went out of business. Then it was syndicated. Editorial cartooning setbacks came when papers began using more syndicated work and less freelance work. "Candorville" hasn't had any setbacks - yet.

6. Goals?

Darrin:To reach as many readers as possible and present them with an image of African-Americans and Latinos that doesn't gloss over the downsides of life, but that never loses its appreciation for the good in life. I want to show you don't have to be angry to be passionate. You don't have to be disrespectful to get respect.

7. Tips for young Black artists

Darrin:Practice. Have something IMPORTANT to say and figure out how best to say it, whether it's visual or performing arts. But don't wait for someone to discover you. You've got to take initiative. Enter contests. Even if you don't win, you're getting your name out there. Submit your work in a professional manner to as many people as you can. Network - meet people in the industry you want to be part of, and do not be afraid to ask them for advice. Usually, they'll be glad to help you.

What I want to know is, what was Chauncey working on, what had he already written, or what else was he involved in, that may have gotten him assassinated? But this is Oakland. Who knows if the investigation will go farther than a fruitless sweep of the East side and a shrug of the shoulders.

Tom Hanks is James Bond

I would so definitely see this...

If the Media were Liberal...

If the Media were truly Liberal, this (minus the sarcastic bookends) is the kind of thing we'd see during the day after Oprah, instead of after Midnight on a Saturday:

"Stephanie Miller Show" goes slumming with Candorville's Darrin Bell

For some unknown reason, Elayne Boosler, guest hosting the Stephanie Miller Show on Jones Radio Network (& aired on many Air America affiliates), decided to spend a few minutes interviewing yours truly this morning. I didn't post about this beforehand or tell friends or family because it would scare the hell out of me knowing that people were actually listening to me live. "They" say most Americans fear public speaking more than they fear death, and for a cartoonist who's used to spending his days alone, half-naked in a tiny studio with only his characters to keep him company, death would be #3. #2 would be having to wear pants.

Still, I sit for interviews whenever I'm asked because, hell, this is a dream come true for me -- creating cartoons that strangers (who don't owe me anything) spend a few precious, irretrievable seconds out of their days to read -- and when someone asks me to talk about that on the radio or TV or a panel discussion, it's a reminder that it's actually happening, that that little kid who "wasted time" drawing Optimus Prime and Snoopy in his textbooks actually became what he wanted to be.

Here's the interview. Behind this buffer of time, it isn't so scary. From today's Stephanie Miller Show:

It's cool, but is it an editorial cartoon?

Editorial cartoonists are dropping like flies, in concert with the declining health of the newspaper industry. The Internet is the most likely culprit. As people increasingly turn to to their computers for news, some cartoonists, like Mark Fiore, are adapting as well -- becoming animators. This year's Pulitzer winning editorial cartoonist won partially for his body of animated work, and members of the AAEC are asking themselves: If it's animated, is it still an editorial cartoon?

Check out this animation by Nick Anderson of the Houston Chronicle. What do you think?

Michael Moore injures Wolf Blitzer in cage match

When Laura and I walked out of the Arclight in Hollywood after seeing Michael Moore's Sicko, I scanned the floor ahead for rusty nails, sharp-toothed dogs, falling satellites -- anything that might necessitate a trip to Kaiser. Laura would probably tell you I'm a bit of a hypochondriac. That couldn't be further from the truth. It seems to me hypochondriacs like going to the hospital, whereas I avoid the hospital like the plague since I'd surely catch something in the waiting room. It's not that I have some pathological aversion to germs, it's that like most self employed, non-unionized people, I have to fund my own health insurance and I can only afford basic coverage. That means I have high deductibles, high prescription fees and while I haven't checked, I'm fairly certain I have to pay for that paper gown that won't close in the back. That gown, by the way, is representative of my insurance: if I think my ass is covered, I'm wrong.

Anyway, over green salads at the Arclight's Charcoal Bar & Grill, Laura made me promise that if anything were to happen to her, my second call would be to 9-11 -- my first would be to Kaiser (the HMO Nixon fell in love with -- just go watch Sicko already), so we wouldn't end up like a woman in the film whose ambulance ride after a car wreck wasn't covered because she hadn't first called her insurance provider. While she lay unconscious in the street (or the mangled car, it wasn't clear which).

Imagine my relief when CNN's Dr. Sanjay Gupta dispelled all the horrible myths Michael Moore had subjected us to:



What relief! What glorious deliverance from fear and anxiety! Thank you, thank you thank you, CNN, for reminding me that while we don't live in the best of all possible health care systems, it couldn't get all that much better anyway. While I may despair at the high deductibles and live in fear that they'll count that skinned knee I had when I was four as a "pre-existing condition" should I ever need a knee replacement -- at least I don't have to live with the frustration that comes with knowing we could have a much better system than we have if we'd only cut out the profit motive. I love you, CNN.



D'OH!

...Oh, wait a sec, Moore can't prove any of this, can he? Of course he can't. Dr. Gupta, after all, is a journalist, and CNN is the most trusted name in news. I'll just go check Moore's website. No way he could have posted the so-called "evidence" he promised Wolf.

D'OH!