Today's the day

Read more at the Cartoonists of Color Draw-In web page. I've posted several links to articles, and a couple mp3's of interviews I and the other guys have done regarding the action.

February 10 comics page demonstration mentioned in Newsweek

The upcoming February 10 minority cartoonists demonstration was mentioned in the January 28 issue of Newsweek, on page 14. Check it out or see the brief interview online.

Minority cartoonists plan February 10 comics page "crossover"

It's not a crossover in the traditional sense, it's something that's never been done before. If you're a cartoonist of any ethnicity and you want to participate, and you still have time to turn in a new strip for February 10, contact me at "candorville at gmail dot com" and I'll fill you in on the details.

From Editor & Publisher:

NEW YORK At least eight African-American cartoonists plan to take part in a Feb. 10 comics-page action to draw attention to the way their strips are perceived and purchased.

"Many editors and readers consider different 'black comics' to be interchangeable," said "Candorville" cartoonist Darrin Bell. This, he told E&P today in a phone interview, is among the reasons why many papers run only one or two comics by African-Americans and other creators of color -- no matter how many strips and panels are in their comics sections.

But, Bell said, comics by black cartoonists are obviously as different from each other as comics by white cartoonists are different from each other.

"Some are political, some are about friends, and some are about family," noted Bell, who organized the Feb. 10 action along with "Watch Your Head" cartoonist Cory Thomas. (Both are syndicated by the Washington Post Writers Group.)

For the action, the cartoonists will all do a version of one of Thomas' comics. The theme and writing in each strip will be similar, though "we're all plugging in our own characters," said Bell. The idea is to satirically protest the erroneous notion of many editors and readers that comics by African-American creators are interchangeable.

What might the action accomplish? "I hope editors will start allowing minority cartoonists to compete for all their comics slots, not just one or two slots," replied Bell, whose 2003-launched "Candorville" strip runs in 60 to 65 papers.

The cartoonist -- who also does the "Rudy Park" comic with Theron Heir for United Media -- further noted that strips by African-American cartoonists are enjoyed by many white readers as well as black readers.

Bell said he's not sure the Feb. 10 action should be called a protest, noting that black cartoonists face a problem nowhere near as serious as, say, New Orleans residents still without housing after Hurricane Katrina. But it's still a problem.

"It's like a weather forecast of mostly sunny with patches of racism," Bell said wryly.

"Wryly." I like that. Read more...

Penguins are always stealing jobs from Latinos

If you live in Houston, you may have noticed that the Chronicle, in an effort to provide entertainment geared toward Houston's large penguin population, has replaced the comic strip La Cucaracha with a strip about a group of penguins living in the Arctic Circle -- a subject that's obviously far more relevant to Houston readers than a strip about Latinos and immigration. The Chronicle has one of the largest comics sections in the nation. Surely they could've found something else to cut (maybe something whose creator died during the Black Plague).

If you're a Houstonite (or if you're not but you still read the paper) and a La Cucaracha fan, let the Chronicle know what you think about that by emailing comics@chron.com or calling 713-362-3222.
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"Stephanie Miller Show" goes slumming with Candorville's Darrin Bell

For some unknown reason, Elayne Boosler, guest hosting the Stephanie Miller Show on Jones Radio Network (& aired on many Air America affiliates), decided to spend a few minutes interviewing yours truly this morning. I didn't post about this beforehand or tell friends or family because it would scare the hell out of me knowing that people were actually listening to me live. "They" say most Americans fear public speaking more than they fear death, and for a cartoonist who's used to spending his days alone, half-naked in a tiny studio with only his characters to keep him company, death would be #3. #2 would be having to wear pants.

Still, I sit for interviews whenever I'm asked because, hell, this is a dream come true for me -- creating cartoons that strangers (who don't owe me anything) spend a few precious, irretrievable seconds out of their days to read -- and when someone asks me to talk about that on the radio or TV or a panel discussion, it's a reminder that it's actually happening, that that little kid who "wasted time" drawing Optimus Prime and Snoopy in his textbooks actually became what he wanted to be.

Here's the interview. Behind this buffer of time, it isn't so scary. From today's Stephanie Miller Show:

It's cool, but is it an editorial cartoon?

Editorial cartoonists are dropping like flies, in concert with the declining health of the newspaper industry. The Internet is the most likely culprit. As people increasingly turn to to their computers for news, some cartoonists, like Mark Fiore, are adapting as well -- becoming animators. This year's Pulitzer winning editorial cartoonist won partially for his body of animated work, and members of the AAEC are asking themselves: If it's animated, is it still an editorial cartoon?

Check out this animation by Nick Anderson of the Houston Chronicle. What do you think?

Candorville Nominated for the Glyph Award (again)

Candorville's been nominated for a Glyph Award. Awards are ridiculous popularity contests signifying nothing. Unless Candorville wins, in which case awards are proof of quality and merit. Here's the list of nominees, as reported by Editor & Publisher and The Comics Reporter:

"Best Comic Strip"
Candorville, Darrin Bell
The K Chronicles, Keith Knight
Templar, Arizona, Spike
(th)Ink, Keith Knight
Watch Your Head, Cory Thomas

Smart money's on an upset by Ziggy.

Channeling one's inner loser

Not a week goes by that I don't check my inbox and see a variation of the following question: "Mr. Bell/Darrin/Moron, how do you get the characters in 'Candorville' to seem so three-dimensional? I want to work long hours for 1970's wages as a cartoonist someday, but my characters seem so flat and lifeless."

Here's how you do it, kids: stay in school, read as much literature as you can get your hands on, and always cross at the crosswalk (I don't know what that has to do with learning about character development, but it's a good idea anyway).

Other tricks: Pay attention to the people around you, and create backstories for them in your head. See a homeless person? Create a story about how he ended up that way. Not only will you be on the road toward developing three dimensional characters, but focusing on the plight of another human being helps you develop your "compassion muscle." Unless, of course, you come up with some calvinist backstory about how the guy's homeless because he deserves to be, which would be a pretty boring, two-dimensional story.

Or you can take the easy way out, and simply channel your inner loser. Be critical of yourself. Have you done anything stupid that you wish nobody would ever know about? Don't repress it deep in your subconscious, where it'll fester until it eats some choice part of your soul. Don't live in denial. Confess your loserness to the world. Not only will it keep your soul from being eaten, it'll give you some quality character development.

Case in point:



Of course, for this strip I used option A. I would never do something like this in real life.
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New Candorville book, collector's edition available here!

The new Candorville book, "Another Stereotype Bites the Dust," isn't in stores yet, but I have managed to get my grubby hands on a few dozen copies, so you can get it today from the Candorville website!

Book 2 picks up where the first one left off. Lemont's recent disastrous date with the Crazy Vegetarian Chick and his constant rejection by the New Yorker have him feeling down, but Lemont is maintaining, and things are looking up. Clyde decides to become his own boss, Susan's on the fast-track for promotion, and Lemont finds a new reason to keep on writing, the New Yorker be damned. Amidst failed love connections, voter disenfranchisement, a nosy neighbor with a big secret, and a surreal and cathartic visit from a long-lost relative, Lemont, Susan and Clyde keep on keepin' on. And contrary to popular conspiracy theories, they keep all their civil liberties -- at least according to the notes, videotape, and transcribed e-mails compiled by Federal Agent Murph.

"Another Stereotype Bites the Dust" chronicles the second nine months of Candorville. While the strips stand on their own, they really shine in book form, and that's because "Candorville" is a story that has a beginning, it'll have a middle, and, ultimately, an end. The larger story will take 50 years to tell, but within that super arc are dozens of roughly nine-month long chapters (not coincidentally, each book contains nine months of strips). Get in on the ground floor with the first two books.

You can buy "Another Stereotype Bites the Dust" from your local bookstore soon, or you can order it from them now. You can also pre-order it from Amazon.com. Or, you can buy it today right here. For the collectors out there, if you buy the books through the Candorville site, they come autographed, numbered, & with a sketch of either Lemont, C-Dog, or Susan. So you're guaranteed to get at least 1/3 of your money back when you re-sell it on eBay.*

Lastly, you may have noticed that Candorville.com has been completely redesigned in honor of the new book. Please let me know what you think, whether there are any glitches (pages not working, pages inavdvertently written in Swahili, etc.), or if you have any bright ideas about how to make it even jazzier.

*By "guaranteed," we mean "not guaranteed." Candorville books have not been approved by the Federal Government, and have been known to cause insomnia, laughter, and bouts of questioning the dominant paradigm.

Candorville book sells out (sort of)

Thanks to those of you who still had a little money left after your job was outsourced and Exxon-Mobil mugged you on your way to the unemployment office, I've just sold my last copies of the Candorville: Thank God for Culture Clash book! A new batch should arrive tomorrow, so if you ordered a book in the last few days, you should be receiving it by the end of the week.

Although the book's doing well, and a second one is coming out in just a couple months, this book needs to do a little better in order to ensure a third one with full-color Sundays. So if you haven't yet bought the Candorville book, now's the time. You can get them from the Candorville website (where they're defaced with an autograph and a sketch), from Amazon, or better yet, you can ask for it at your favorite local bookstore (if they don't have it in stock, they'll gladly order it for you).